Sony VCINEPAC1 VENICE Camera Package with DVF-EL200 Viewfinder, AXS-R7, Anamorphic and Full Frame Licenses
Product Highlights:
- Sony VENICE Camera + Accessories
- with DVF-EL2000 Full HD OLED Viewfinder
- Includes AXS-R7 4K RAW Recorder
- Comes with software licenses
- 15+ stops dynamic range
- Built-in 8-stage glass ND filter
- Dual menu displays on camera left/right
- Record in-camera XAVC or ProRes
- Overhauled color science
- Dual Base ISO mode
- Operating Instructions CD-ROM
- Lens Mount Cover
- 15 x Shim - 1/3 Arc
- Shim - Circular
- VF Cable
- Handle
- VF Attachment
- Sony VENICE Full Frame 6K CineAlta Camera
- Sony CKZ-3610A Anamorphic Permanent Software for VENICE
- Sony CKZ-3610F Full Frame Permanent Software License for VENICE
- Limited 1-Year Warranty
- Operating Instructions
- Sony DVF-EL200 Full HD OLED Viewfinder
- Sony AXS-R7 4K RAW Recorder for PMW-F5/F55/Venice
Sony VCINEPAC1 VENICE Camera Package with DVF-EL200 Viewfinder, AXS-R7, Anamorphic and Full Frame Licenses
Sony VCINEPAC1 VENICE Camera Package with DVF-EL200 Viewfinder, AXS-R7, Anamorphic and Full Frame Licenses
The new flagship of Sony's CineAlta family, the Sony VENICE CineAlta 6K Digital Cinema Camera (6K with 6048x4032*), offers an interchangeable PL or E-Mount*, integrated ND filters in 8-stages, 15+ stops of exposure latitude, a wide color gamut and improved color management system.
VENICE compact form factor suits gimbal, aerial, handheld, and studio setups. While its sister camera, the F65, offers an 18MP sensor, VENICE boasts a 24.7MP Full Frame CMOS sensor with a maximum resolution of 6048 x 4032*.
VENICE will also include a Dual Base ISO mode, supporting an additional High Base ISO of 2500. This feature takes full advantage of the sensor's unique design for exceptional low light performance and dynamic range (from 6 stops over to 9 stops under 18% middle gray). This new capability represents an increase in exposure indexes at higher ISOs for night exteriors, dark interiors, slower lenses, or where content needs to be graded in High Dynamic Range, while maintaining maximum shadow detail.
VENICE CineAlta features a dual display for menu control on both sides of the camera so your camera assistant or DIT can adjust shutter angle, ISO, ND selection, white balance, and frame rate, while the main camera menu is accessible by the camera operator. Note that the camera left side display for your AC is slightly smaller yet preserves necessary functionality.
VENICE offers similar workflows to your Sony F65 or F55 cameras, plus the same color space: Rec.2020. Captured footage from VENICE offers a very different look. Venice also features the ability to accept PL or E-Mount lenses when you swap the lens mount.
Sony VENICE Full Frame 6K CineAlta Digital Motion Picture Camera System |
CAMERA LENS SYSTEM |
Camera Lens Mount: |
PL - Included mount adapter, which attaches over native E-Mount with 6 screws. 52mm flange focal depth E - Native, lever-lock type without supplied PL Lens Mount Adapter. 18mm flange focal depth |
Interchangeable Mount: |
Yes - Includes PL Mount to attach to Native E-Mount on sensor block front |
ND Filter: |
Built-in 8-stage servo-controlled filters - Includes: ND0.3, ND.6, ND.9, ND1.2, ND1.5, ND1.8, ND2.1, ND2.4 in 1-stop increments (1/2 - 1/256) |
COLOR |
Color Temp Range: |
2000~15,000 Kelvin |
Gamma Modes: |
S-Log3 |
CONNECTORS |
Output Connector/Port: |
1 x Ethernet - RJ-45 for Ethernet Network (10BASE-T, 100BASE-TX) 4 x BNC - SDI Output for 12G, 3G, 1.5G-SDI 1 x USB - Type-A 1 x HDMI - Type-A 2 x Fischer 3-pin - 24V 1 x Headphone Jack - MINI Stereo 1 x DC Out - 12V 1 x Other - LEMO 26-Pin - Viewfinder |
Input Connector/Port: |
1 x Remote - 8-pin - Only available with firmware update 1 x XLR 5-pin - Female - AUDIO - (LINE/ AES/EBU / MIC / MIC+48V selectable) 1 x BNC - Timecode |
RECORDING |
Recording Resolution: |
4K 4:3 Anamorphic - With Anamorphic License - 4:3 4096 x 3024 (24.3x18.3mm) with projected speed up to 48fps 3.8K - 16:9 3840 x 2160 (22.8x12.8mm) - with projected speed up to 60fps, but not yet confirmed 5.7K 16:9 - With Full Frame License - 16:9 5670 x 3190 (33.7x18.9mm) max 30fps 6K 3:2 - With purchase of Full Frame License - 3:2 6048 x 4032 (35.9x24.0mm) max 24fps 4K 6:5 Anamorphic - With Anamorphic License - 6:5 4096 x 3432 (24.3x20.4mm) max 30fps 6K 2.39:1 - With purchase of Full Frame License - 2.39:1 6048 x 2534 (35.9x15.0mm) Max 30fps 4K 17:9 - 17:9 4096 x 2160 (24.3x12.8mm) - with projected speed up to 60fps, but not yet confirmed 6K 1.85:1 - With purchase of Full Frame License - 1.85:1 6048 x 3270 (35.9x19.4mm) Max 30fps 6K 17:9 - With purchase of Full Frame License - 17:9 6048 x 3190 (35.9x18.9mm) Max 30fps |
Recording Format: |
Apple ProRes 442 HQ - 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i Apple ProRes 422 - 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i Apple ProRes 422 Proxy - 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i XAVC 4K - Class480. VIDEO: 23.98p. 24p. 25p. 29.97p XAVC QFHD - Class480. VIDEO: 23.98p, 25p, 29.97p RAW SQ - 4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p. This is supported only with purchase of optional AXS-R7 on-board recorder. MPEG HD422 - (1920 x 1080). VIDEO: 23.98p, 24p,25p, 29.97p, 50i, 59.94p X-OCN ST/LT - 6K 3:2. (6048 x 4032): 23.98p 249 - This is supported only with purchase of optional AXS-R7 on-board recorder and may require a separate software license. |
Simultaneous Recording: |
Yes - WITH FIRMWARE UPDATE: See bottom of item Overview for full details. |
Bit Rate: |
AUDIO - 24-bit, 48 kHz with 4-channel audio - LPCM recording format |
RECORDING / MEDIA |
Compatible Media: |
Sony AXSM (A Series) 1 TB - Requires Sony AXS-R7 Sony AXSM (A Series) 4.8 Gbps Memory Card - 512GB - Requires Sony AXS-R7 |
Media Type: |
2 x SxS - Dual card slots SD |
SENSOR SPECIFICS |
Sensor Size: |
Full Frame - 36.2 x 24.1 mm Super 35 |
Sensor Type: |
CMOS |
Sensitivity: |
ISO 500 |
Sensor Width: |
43.5mm - diagonal |
Sensor Dynamic Range: |
15 + stops |
Sensor Dimensions: |
36.2 x 24.1mm |
CAMERA |
Camera Options: |
Camera Body Only |
In-Cam Filter Exists: |
Yes |
Camera Features: |
ND Filter Built-In Headphone Jack On-Camera Controls Metadata - Cooke/i Technology 4-contact points in lens mount Genlock In White Balance - 2000~15,000 Kelvin with Green/Magenta adjust possible. Dual Base ISO Mode - additional High Base ISO of 2500 |
Ethernet Interface: |
Yes |
Sony DVF-EL200 Full HD OLED Viewfinder |
CONNECTORS |
Input Connector/Port: |
Custom - LEMO 26-Pin |
POWER |
Power Input: |
DC - 10.5 V to 17.0 V DC, supplied from the camera |
VIEWFINDERS |
EVF Screen Type: |
OLED |
EVF Brightness: |
200-299Nits - 200cd/m2 (peak brightness, typical) |
EVF Display Size: |
Up to 3.0" - 0.7" (diagonal) with 1920x1080 screen resolution |
EVF Weight: |
1.0-1.49lbs |
EVF Imagery: |
Color |
Sony AXS-R7 4K RAW Recorder for PMW-F5/F55/Venice |
CONNECTORS |
Output Connector/Port: |
1 x DC Out - Hirose 4-Pin Female for Tally and Rec Trigger |
Input Connector/Port: |
1 x DC In - XLR 4-Pin Male 1 x Battery - 5-Pin- 1 x Custom - 144-Pin Interface which supplies power |
POWER |
Power Input: |
DC - 11 to 17 VDC |
RECORDERS |
Playback: |
Yes - Supported with button select (SXS or AXS) |
RECORDING |
Recording Format: |
X-OCN ST/LT - Up to 120fps with F55 camera; Up to 60fps with F5 camera; RAW - 4K: Up to 120fps with F55 camera; Up to 60 fps with F5 camera; |
RECORDING / MEDIA |
Media Type: |
AXSM A Series |
Sony CKZ-3610A Anamorphic Permanent Software License for VENICE |
COMPATIBILITY - CAMERA |
Sony: |
Sony VENICE SOFTWARE / APPS / PLUGINS |
Software/App Notes: |
Delivers 4K 4:3 Anamorphic Recording |
Sony CKZ-3610F Full Frame Permanent Software License for VENICE |
COMPATIBILITY - CAMERA |
Sony: |
Sony VENICE SOFTWARE / APPS / PLUGINS |
Software/App Notes: |
Delivers 6K 3:2 Full Frame Recording |