RED Digital Cinema 710-0305 DSMC2 BRAIN with Gemini 5K S35 Sensor (Standard OLPF)

RED DSMC2 BRAIN with Gemini 5K S35 Sensor (Standard OLPF)

Product Highlights:
- 5K Super 35mm CMOS Sensor
- 5120 x 3000 Recording up to 75 fps
- REDCODE RAW, ProRes, and DNx Recording
- High-Speed Recording up to 300 fps in 2K
- Records to RED MINI-MAG Media
- Uses DSMC2 Accessories
- Interchangeable Lens Mounts
- Aluminum Alloy Construction

RED DIGITAL CINEMA DSMC2 BRAIN with GEMINI 5K S35 Sensor
- (1) DSMC2 Standard Optical Low-Pass Filter
- (1) Case for DSMC2 Camera BRAIN
- (1) Limited 2-Year Warranty

RED DSMC2 BRAIN with Gemini 5K S35 Sensor (Standard OLPF)

RED DSMC2 BRAIN with Gemini 5K S35 Sensor (Standard OLPF)
The RED EPIC-W BRAIN with Gemini 5K S35 Sensor brings the EPIC name back to the forefront, featuring their Gemini dual ISO 5K Super 35 sensor. It has a standard mode and a low light mode, both at 5K resolution which allows for capture at up to 96 fps. The Gemini allows for high-resolution 5K recording while using classic cinema lenses designed for the Super 35 film format. It also allows 4K recording using the whole sensor.

REDCODE RAW is the format of choice for the EPIC-W. RED's versatile raw codec uses wavelet compression to reduce data rates while maintaining a visually lossless image rendering. This efficient codec can be edited on many available NLE software programs without transcoding, though if you prefer a proxy workflow, ProRes or DNx files can be recorded simultaneously to the MINI-MAG media. Lowering the recording resolution allows the sensor to capture higher frame rates for dramatic slow-motion footage. The EPIC-W uses sensor windowing to record slow motion in lower resolutions, requiring wider lenses to compensate for the additional crop. All the EPIC-W's power is enclosed in a relatively small body comprised of magnesium and aluminum. The EPIC-W's size, or lack thereof, makes it versatile.

Image Sensor
Image Sensor Size	30.72 x 18.00 mm (Full-Frame)
Sensor Type	CMOS
Sensor Resolution	5120 x 3000
Color Filter	Bayer
Shutter Type	Rolling Shutter
ISO	800 (Native) 3200 (Native)
Advertised Dynamic Range	16.5 Stops
Signal-to-Noise Ratio	Not Specified by Manufacturer
Lens Mount	PL Mount
Lens Communication	Yes, Cooke /i
Built-In ND Filter	None
Built-In Microphone Type	Stereo
Recording Media	None
Internal Recording
Raw Recording	REDCODE RAW: 5120 x 3000 at 23.98, 24, 25, 29.97, 48, 50, 59.94, 60 fps
Recording Modes	ProRes422HQ 4:2:2: 4096 x 2160 at 23.98, 24, 25, 29.97 fps ProRes422 4:2:2: 4096 x 2160 at 24, 25, 29.97 fps 2048 x 1080 at 23.98, 24, 25, 29.97, 48, 50, 59.94, 60, 120 fps ProRes422LT 4:2:2: 4096 x 2160 at 23.98, 24, 25, 29.97 fps 2048 x 1080 at 23.98, 24, 25, 29.97, 48, 50, 59.94, 60, 120 fps ProRes422HQ 4:2:2: 2048 x 1080 at 23.98, 24, 25, 29.97, 48, 50, 59.94, 60, 120 fps DNxHR 4:2:2 12-Bit: 4096 x 2160 at 23.98, 24, 25, 29.97 fps 2048 x 1080 at 23.98, 24, 25, 29.97, 48, 50, 59.94, 60, 120 fps DNxHR 4:2:2 8-Bit: 4096 x 2160 at 23.98, 24, 25, 29.97 fps DNxHD 4:4:4 10-Bit: 1920 x 1080 at 23.98, 24, 25, 29.97, 48, 50, 59.94, 60, 120 fps DNxHD 4:2:2 10-Bit: 1920 x 1080 at 23.98, 24, 25, 29.97, 48, 50, 59.94, 60, 120 fps DNxHD 4:2:2 8-Bit: 1920 x 1080 at 23.98, 24, 25, 29.97, 48, 50, 59.94, 60, 120 fps
Audio Recording	2-Channel 24-Bit 48.0 kHz
Interfaces
Video Connectors	None
Audio Connectors	None
Wireless Interfaces	Wi-FiControl
Touchscreen	No
Power
Power Connectors	None
Environmental
Operating Temperature	32 to 104°F / 0 to 40°C
Storage Temperature	-4 to 122°F / -20 to 50°C
Operating Humidity	0 to 85%
Storage Humidity	0 to 85%
General
Accessory Mount	Not Specified by Manufacturer
Tripod Mounting Thread	1/4"-20, 3/8"-16
Material of Construction	Aluminum Alloy
Dimensions	5.66 x 4.94 x 4.13" / 143.85 x 125.5 x 105 mm
Weight	3.4 lb / 1.54 kg