OPEN BOX ATOMOS SUMO 19" HDR/High Brightness Monitor Recorder

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OPEN BOX ATOMOS SUMO 19" HDR/High Brightness Monitor Recorder

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  • OPEN BOX ATOMOS SUMO 19" HDR/High Brightness Monitor Recorder
  • OPEN BOX ATOMOS SUMO 19" HDR/High Brightness Monitor Recorder
  • OPEN BOX ATOMOS SUMO 19" HDR/High Brightness Monitor Recorder
  • OPEN BOX ATOMOS SUMO 19" HDR/High Brightness Monitor Recorder
  • OPEN BOX ATOMOS SUMO 19" HDR/High Brightness Monitor Recorder
  • OPEN BOX ATOMOS SUMO 19" HDR/High Brightness Monitor Recorder
  • OPEN BOX ATOMOS SUMO 19" HDR/High Brightness Monitor Recorder
  • OPEN BOX ATOMOS SUMO 19" HDR/High Brightness Monitor Recorder
  • OPEN BOX ATOMOS SUMO 19" HDR/High Brightness Monitor Recorder
  • OPEN BOX ATOMOS SUMO 19" HDR/High Brightness Monitor Recorder
SKU:
ATO-ATOMSUMO19-91
Manufacturer Part:
Availability:
Ships in 3-5 Business Days - Subject to Availability
Shipping:
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- You save $617.00
$2,495.00 $1,878.00

Description

OPEN BOX ATOMOS SUMO 19" HDR/HIGH BRIGHTNESS MONITOR RECORDER
Product Highlights:
- 1920 x 1080 Touchscreen Display
- 10-Bit FRC Monitor Processing
- HDMI 2.0 and 12G-SDI Inputs/Outputs
- ProRes Raw / Raw HQ via Select Cameras
- 1200 cd/m² Brightness
- HDR Mode with 10-Stop Dynamic Range
- High Bright Mode for Rec. 709 Viewing
- 4K up to 60p / 1080p up to 240 fps
- 10-Bit 4:2:2 ProRes & DNxHR Encoding
- Records to 2.5" Master Caddy Media
OPEN BOX ATOMOS Sumo 19" HDR/High Brightness Monitor Recorder
- Master Caddy II
- Power Supply
- Limited 1-Year Warranty
OPEN BOX ATOMOS Sumo 19" HDR/High Brightness Monitor Recorder

With its large, bright color-accurate 19" LCD screen and 4K recording capabilities, the Atomos Sumo can be implemented to enhance professional video workflows in both production and post-production. On set, the Sumo's HDR capabilities enable cinematographers to realize more of a cinema camera's dynamic range when shooting in log or raw formats. All the built-in monitoring tools are also compatible with the HDR rendering, updating to accommodate the larger dynamic range. Additionally, the Sumo can record incoming DCI and UHD 4K video in various flavors of Apple ProRes or AVID DNxHR to Master Caddy II storage media. With supported cameras, ProRes Raw/Raw HQ recording is also possible, for more flexibility in post-production.

Back in the studio, the HDR capabilities of the Sumo are again beneficial; enabling editors and colorists to see deeper into the captured image information. The 10-bit image processing, combined with the 10-bit FRC capable LCD panel, shows subtle gradations in recorded footage whether playing back directly from recording media or from a connected computer. The display itself can be calibrated to maintain color accuracy over the Sumo's lifetime.

Display  
Type 19" / 48 cm IPS capacitive touchscreen
Resolution 1920 x 1080
Bit Depth 10-bit (8-bit plus FRC)
Color Gamut REC. 709
Video Aspect Ratio Native: 16:9
Brightness 1200 cd/m²
LUT Support 3D LUT (.cube file format)
Interface  
Inputs 1 x HDMI Type A, v2.0
3 x BNC, HD/3G-SDI
1 x BNC, HD/3G/6G/12G-SDI
2 x XLR, balanced analog audio with 48 V phantom power
Outputs Video
Input: 8/10-bit 4:2:2 (dependent on video source)
Output: 8/10-bit 4:2:2 (dependent on video source)
Encoding Formats Apple ProRes Raw: Raw, Raw HQ
Apple ProRes: HQ, 422, LT
AVID DNxHR: HQX, HQ, SQ, LB
4096 x 2160 24/25/30/50/60
3840 x 2160 24/25/30/50/60
1080p 24/25/30/50/60/100/120/200/240
1080i 50/60
720p 50/60

Canon(C300 mk2, C500)
ProRes Raw/Raw HQ:
4096 x 2160 24/25/30
3840 x 2160 24/25/30
2048 x 1080 (not supported in camera)
1920 x 1080 (not supported in camera)

Cinema-DNG Raw:
4096 x 2160 24/25/30
3840 x 2160 24/25/30

Raw to ProRes/DNx:
4096 x 2160 24/25/30
3840 x 2160 24/25/30

Panasonic (VariCam LT, VariCam35, EVA-1)
ProRes Raw/Raw HQ:
5720 x 3016 24/25/30 (EVA-1 only)
4096 x 2160 24/25/30/50/60
3840 x 2160 24/25/30/50/60
2048 x 1080 24/25/30/50/60/100/120/240
1920 x 1080 (not supported in camera)

Cinema-DNG Raw:
4096 x 2160 24/25/30
3840 x 2160 24/25/30

Raw to ProRes/DNx:
4096 x 2160 24/25/30
3840 x 2160 24/25/30

Sony (FS5, FS7 with XDCA-FS7, FS700)
ProRes Raw/Raw HQ:
4096 x 2160 24/25/30/50/60
3840 x 2160 (not supported in camera)
2048 x 1080 24/25/30/50/60/120/200/240
1920 x 1080 (not supported in camera)

Cinema-DNG Raw:
4096 x 2160 24/25/30
2048 x 1080 24/25/30/50/60/100/120

Raw to ProRes/DNx:
4096 x 2160 24/25/30/50/60
2048 x 1080 24/25/30/50/60/100/120/240
Video Signal Conversion HDMI to SDI:
4096 x 2160 24/25/30/50/60
3840 x 2160 24/25/30/50/60
1080p 24/25/30/50/60/100/120
1080i 50/60
720p 50/60

SDI to HDMI:
4096 x 2160 24/25/30/50/60
3840 x 2160 24/25/30/50/60
1080p 24/25/30/50/60/100/120
1080i 50/60
720p 50/60
Pulldown Conversion 24/25/30PsF to 24/25/30p (2:2 pulldown)
60i to 24p (3:2 pulldown)
Supported Audio Formats  
HDMI 2/8-channel, 24-bit (camera dependent)
SDI Up to 12-channel, 24-bit, 48 kHz
Dynamic Range > 90 dB
Signal Level Maximum: +24 dBu
Gain Maximum Analog Gain: +52 dB
Remote Operation  
HDMI Auto HDMI trigger
Supported Protocols: Canon, Sony, Atomos Open Standard
SDI SDI trigger camera selectable
LANC Supports slave configuration
Recording Media  
Supported Media 4K:
2.5" SSD

HD High Frame Rate (50/60/120p):
2.5" SSD
2.5" HDD (7200 rpm and up) for 1080p 50/60

HD (30p and Less):
2.5" SSD
2.5" HDD (5400 rpm and up)

Note: Only use media that has been approved by Atomos
Master Caddy Dock Interface: 2.5" SATA to USB 2.0/3.0
Supported Applications Final Cut Pro X/7+
Avid Media Composer 5.0+
Adobe Premiere 5.5+
Grass Valley EDIUS 6.0+
Sony Vegas Pro 10+
Lightworks
Autodesk Smoke 2015
XML Support FCP X XML native, FCP 7/Adobe supported with conversion
General  
Voltage 14.4 VDC
Power Consumption 75 W
Supported Battery Types V-Mount, Gold Mount (requires optional mounting plate)
Mount Types 1/4"-20: 4 x top, 4 x bottom, 2 x side
3/8"-16: 2 x top, 2 x bottom, 1 x side
VESA mount on rear
Dimensions 19.8 x 12.2 x 2.5" / 50.4 x 31 x 6.3 cm (without stand)
19.8 x 13 x 7.1" / 50.4 x 33 x 18 cm (with stand)
Weight 12.3 lb / 5.6 kg (without stand)
13.7 lb / 6.2 kg (with stand)
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Technical Specs

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What's Included

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