Atomos Shogun Studio II Specs |
Weight |
Weight |
5.0kg / 11lb |
Rack height |
3Ru |
Rack mounting |
Removable rack ears |
Dimensions (W x H x D mm) |
447 x 152 x 280mm, 17.6 x 6.0 x 11.0”(without rack ears) 490 x 152 x 280mm, 19.3 x 6.0 x 11.0” (with rack ears) |
Construction |
Steel construction for durability |
Cooling |
Actively controlled fan with heat sinks |
Power |
Operating power (including SSD) |
20 - 86W |
Compatible batteries |
No |
Input voltage (battery) |
- |
DC Out |
No |
Touchscreen |
Size |
7.2” |
Resolution |
1920 x 1200 |
PPI |
325 |
Aspect ratio |
16:9 native |
Color Gamut |
Up to Wide color gamut (105% DCI-P3) |
Look up table (LUT) support |
3D LUT (.cube format) |
Technology |
SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional X-Rite unit |
Anamorphic de-squeeze |
2x, 1.5x, 1.33x, Panasonic 4:3 |
Technology |
Dynamic AtomHDR zoned backlight |
Dynamic AtomHDR Technology |
Backlight |
Direct LED |
Zones |
360 direct backlight individual LEDs |
LEDs |
Wide Color Calibrated D65 or D95 |
Bit depth |
10-bit (8+2 FRC) |
Color |
DCI-P3 105% |
Brightness |
3000nit (+/- 10%) |
Brightness |
3000nit (+/- 10%) |
Control |
On the fly real-time brightness analysis for LED control |
HDR Conversion |
Log/RAW to HLG or PQ, Dolby Vision Loop out |
HDR Monitoring Technology |
Gamma |
Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / Log- CEI1600 Panasonic Vlog JVC JLog1 RED Log3G10 / RED LogFilm / FujiFilm F-log / Nikon N-Log PQ10k and HLG |
Gamut |
Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / DCI P3 / DCI P3+ Nikon BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4 |
Video Input/Loop Out |
HDMI |
HDMI 1 x HDMI (2.0)** |
SDI |
Quad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2x 12G single link SDI |
Signal (camera dependent) |
Uncompressed true 10-bit or 8-bit 422 |
LTC (Record Mode Only) |
LTC input signal and loop out |
Genlock (Playback Mode Only) |
Genlock input signal and loop out |
Video Output (Play Out) |
HDMI |
1 x HDMI (2.0)** |
SDI (Play Out) |
1 x Single link SDI 12G/6G/3G/1.5G, Optional 2nd SDI output available in Playback mode |
Signal |
Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
Video Signal Conversion |
HDMI to SDI |
720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
SDI to HDMI |
720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
Signal |
Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
Audio In/Out (48kHz PCM Audio) (Per Channel) |
HDMI |
2 or 8ch 24-bit, camera dependent |
SDI |
12ch 48kHz 24-bit |
Audio |
2ch balanced XLR analogue in/out Dynamic range >90dB Max signal level +24dBu 3.5mm 2ch. |
Supported Codecs & Frame Rates (Record & Playback) |
Raw to: |
ProRes RAW, ProRes CinemaDNG (CDNG up to 30p only) Avid DNxHD |
Sony^^ FS700, FS-5, FS-7, FS-7MkII |
4K DCI; 24/25/30/50/60p 4K UHD; not supported in camera 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera |
Canon C300MKII/C500 CDNG |
4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; not supported in camera 1080; not supported in camera |
Panasonic VaricamLT, EVA1 |
5.7K DCI; 24/25/30p (EVA1 ProRes RAW only) 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera |
Supported base resolution & FPS from cameras |
2K DCI: 23.98/24/25/29.9/30/50/59.94/60p 1080p: 23.98/24/25/29.9/30/50/59.94/60p 1080i: 50/59.94/60i 720p: 50/60p PSF inputs converted to P but looped out as PSF |
Supported FPS & resolution from gaming consoles and graphic cards |
4k UHD: 24/25/30/50/60p |
Onboard Processing |
Pulldown removal |
24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
4K UHD downscale for HD monitoring |
Yes - Loop-out and playback (Not available in all RAW modes) |
Remote Control |
HDMI |
Auto HDMI Trigger Supported Protocols - Dolby Vision, Canon, Sony, Atomos Open Standard |
RS422* |
9pin transport control on qualified controllers |
SDI |
SDI trigger camera selectable |
Other |
LANC control - Slave / Calibration on front. Serial - Calibration on front |
Playback |
Playlist / Genlock / LTC |
Yes / Yes / No |
CDNG (Recorded content) |
No support |
ProRes (Recorded content) |
All recorded files can playback. Playback in slow motion >= 100fps. |
DNxHR / DNxHD (recorded content) |
All recorded files can playback. Playback in slow motion >= 100fps. |
Recording |
Pre-roll record |
Yes (HD 8s, 4K 2s) |
ISO Record |
Up to 8 streams in 60pHD in parallel |
Custom timelapse |
Yes* |
Supported media |
2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/ drives for list of tested and approved drives |
Master caddy case |
Master Caddy II (included) 75mm x 105mm x 12mm |
Supported applications |
Final Cut Pro / Media Composer / Premiere Pro / After Effects / EDIUS / Vegas Pro / Lightworks / Autodesk Smoke |
What's In The Box |
Accessories included |
Shogun Studio 2, 2 x rack ears with screws, 4 x rubber feet with screws, 2 x IEC power cable, 2 x HDMI cable, 1 x USB-C Dock, 5 x Master caddy II |
Optional extras |
Master Caddy II x 5, Atomos USB to Serial Calibration cable, Xrite i1 Display pro |
Warranty |
1 year. Extended to 3 years on product registration |
Warranty |
Standard |
1 year. Extend to 3 yrs on product registration |